Meet Margot Douaihy

Margot Douaihy

PhD Candidate (Lancaster University)


All journeys start by leaving, that’s what Tony must have said
to Sam, packing the van, closing the door, the way epics begin.

Don’t look back. In stations of the cross, you move on.
It’s time to go, he smiles, pulls the key from his ripped jeans,

hard muscle line in his arms, like a sea wall
meeting sand on a Brooklyn beach

too polluted to swim. There’s an open road and a road that’s hidden,
brand new life around the bend. A theme song’s being sung, just for them.

He’s not sure who sings it, but he knows a thing or two: boxing, cooking,
secret blend of wind and lip to make a whistle. He’ll teach Samantha

to dance, steps only the old folks know. She’ll need to learn
how to speak Connecticut, make friends, shake off headaches

after crying. He’ll vacuum curtains upright, iron a sandwich for uptight
Angeler. Strange how it makes him feel like a man. Isn’t every departure

a return to who we want to be? He’d never admit
he is scared, he might not even know what to call it.

All that matters: they’re together, going somewhere in their beat-up van,
hands taking flight out the windows, future as go as the green light ahead.

(Reprinted from Philadelphia Stories, 2013.)

I Would Ruby If I Could


Margot Douaihy and I met at the Noepe Center for Literary Arts on Martha’s Vineyard, Massachusetts.  She is lovely, bright, cheerful, fun, and quite intuitive.  Because she had to leave early to receive an award, Pennsylvania’s Belin Arts Karen Blomain Memorial Award, the other ladies of our session and I decided to treat her to dinner at The Black Dog Restaurant.

The Black Dog Tavern                                               Margot, Nan, and Me

There was a lot of food, fun, and stimulating conversation.

RJ:  Where do you get your inspiration?

MD:  First, I would just like to say a sincere Thank You for inviting me into this wonderful community of writers, readers, and seekers. As for where I find inspiration: The frisson of a typo. An itemized receipt. Ingredient list on a perfume bottle. Street signs. Subway signs. An odd line-break. The quotidian. I’ve always been inspired by poetry and fiction that brings me into a specific world, a world with its own logic and rules, whether it is — Jorge Louis Borges or Theodor Seuss Geisel. I love poems that tell stories and invite readers into a snowglobe of a moment: a 3D sense of space, place, voice, mood. What’s the weather in this poem? Do I need a scarf? Is there glitter? Great. I’m in. Where are the fissures and contours of consciousness? I like poems that let me fall. I like strange poems that almost don’t work, but do. I like literary Rube Goldbergs. When things are too perfect or too abstruse they are meaningless. What can be sensed in the speaker’s peripheral vision? How can we stretch time or speed it up? Layered storytelling is a bridge between my verse and fiction.

RJ:  How long do you spend perfecting your poems; to get them to the place where you know every line is just right for the imagery you are creating?

MD:  The magic question. Some poems, e.g., my series “Reality Show,” take one day to write. They flow out in a surprisingly complete form. Other poems, like “Kimono,” have been in some agonizing stage of revision for nine or ten years. It’s not the length of a piece that determines when it is “finished,” it is the deep feeling of inevitability. I know when a poem is done the way you know fruit is ripe. Does it feel ready? Does it honor its own rules and elective affinities? Like in Wallace Stevens or Eliot, is the poem’s aesthetic helping to drive it forward like another motor? Is there music? Is it transcending the page? Some work has a life of its own; a poem that may have begun in one form might need to gestate and evolve to reveal meaning. More than once something I started as a sestina has ended up as a prose-poem. And vice-versa.

RJ:  Can you tell me about your current project?

MD:  My slipstream literary mystery, “The Stradivarius Listening Test,” is currently the hands of an agent. My amateur sleuth novel is “Sister Holiday’s Divine Mysteries.” These books are my weekend projects that live in concert with my full-time job (as a magazine editor). I need the dynamism of multiple forms.

RJ:  What interested you most about creating a world around a Stradivarius violin?

MD:  Each Stradivarius instrument is a work of art. Nothing sounds like it. No one can recreate it. There are unending theories about Stradivarius. I wanted to write a mad romp of a novel with a Stradivarius at the heart of the mystery as well as a shadow narrative for the protagonist’s journey. The question mark of Stradivarius serves myriad purposes in the book.

RJ:  We met at the Martha’s Vineyard Writers Residency. What is the one thing you have taken away from your time there which resonates as the most integral to your path?

MD:  MVWR was an absolute gift! Besides making dear new friends like you, my main take-away from the Residency is that I must trust and accept my own process. My tendency is to feel that I’m not writing enough (yes, I’m an Aries). I’ve struggled with self-confidence. I was reminded at MVWR that my quirky journey is my own; I’m slowly learning to embrace it.

RJ:  You spent four months traveling on a ship around the world as part of your education. Can you expound on that experience and what you gleaned from it?

MD:  During my senior year of college, I was extremely fortunate to travel and study with the “Semester at Sea” program. I completed 15 college credits on the SS Universe Explorer as we circumnavigated the globe. We sailed to and docked in Cuba, Brazil, South Africa, Kenya, India, Vietnam, Malaysia, Hong Kong, Shanghai, and Japan. I made life-long friends. I witnessed the interplay of geography, culture, and socioeconomics. The voyage was a seismic shift in my worldview; it fundamentally changed my perception of “how to be” in the world. A passport inked full of country stamps is heartbreakingly beautiful to me.

RJ:  If you could spend one hour talking with anyone – living or deceased – who would it be and why?

MD:  My maternal grandmother, Pasqualina Mangiola, who died of cancer when my mother was just a few weeks pregnant with me and my twin sister. I have always felt a deep, mysterious connection with my grandmother, as if her energy transferred into us in-utero. I would love the opportunity to ask her questions about her life and heart and dreams. Also, my mother is a remarkable visual artist; I would love the chance to learn—from my grandmother’s perspective—how my mom’s artistic sensibilities bloomed.

RJ:  You had to leave early to accept Pennsylvania’s Belin Arts Karen Blomain Memorial AwardWhat was it like to return to your home state and be honored with this recognition?Margot and her award

MD:  Oneiric! I was thrilled to learn that I was the 2014 recipient of the F. Lammot Belin Arts Foundation “Karen Blomain Memorial Award”. Karen Blomain was a Pennsylvania native who received two PEN USA Syndicated Fiction Prizes and published four volumes of poetry. A Trick of Light was her first novel, originally published in 2000. Sadly, she passed away from illness in 2012. Karen’s work has inspired me ever since I was a child. I remember reading her poetry about the beautiful sadness of Northeastern PA—the Anthracite region—and thinking “this is right…this feels right.” My favorite poem by Karen Blomain is “The Dancers,” a lyric about summer nights and dancing in roadside bars and drinking too much wine and baby sisters and growing apart. It’s a poem about the winding road of survival. Every time I read that poem, I feel Karen’s spirit reaching through the page. Even now my eyes burn thinking about her talent, and how all art outlives its maker. Maybe that’s why we make it. This is what poetry can do. This is what poetry should do. I like when poetry picks me up and shakes me.

RJ:  Your book Girls Like You is coming out in 2015 from Clemson University Press. Can you give the readers a brief glimpse into it and how they can obtain it?

Girls Like You is my first full-length poetry book being published by the terrific editors at Clemson University. Originally cast around Gaston Bachelard’s concept of “the intimate immensity,” my collection recalibrates collective memories. Judith & Holofernes, Laura Palmer, solipsism, wordplay, The Real House Cats of Beverly Hills, triolets, villanelles, text message mistakes, shopping cart surfing—all of this and more live in the apiary of this book. I’m grateful to Clemson University for bringing it to print.

Thank you so much, Renee, for inviting me into your blogosphere. And thank you, readers! Please stay in touch via

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Acquisition Blog Party

It’s here!  My novel, Acquisition, published by The Wild Rose Press, has been released!

The big day has arrived.  And just like a child awaiting Santa Claus or the Tooth Fairy, I awoke early and grabbed my e-reader.

With a smile and a sigh, I ran my hand across the screen, the cover appearing as the best stocking-stuffer ever.  Yes, overnight, a novel sprite had crept into my room and sprinkled its magic across my Kindle at exactly five minutes after midnight.

What a moment!  And now it is time to get this blog party started!!  Pink has joined Etta James and me, and I hope you’ll stop by too, have a glass of bubbly, do the happy dance.

I’ll be coming and going, greeting and meeting, snacking, reading.  Visit with each other and help me celebrate.

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Counting Down to the Big Day!

It’s almost here — November 7, 2014 — and the release of my first novel:



AVAILABLE 11/07/2014

Get your copy here!

Exciting, frightening, dreamy — all the emotions one has when experiencing the result of seeing a goal come to fruition.

Months of working with editors, a cover artist, filling out paperwork and writing a biography for the website, have culminated in this final product.

And thank you all for your support during this process. I’ve been absent from the blog for days on end, and yet you have remained faithful. What a great tribe we belong to!! IMG_0788

So, dear readers, please help me celebrate. Let’s have a blog party and toast the finish line.

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Sitting Down with Justen Ahren

Justen Ahren 2

Photo of Justen Ahren by Rob Berkley


                                              You turn me to rain with a sentence.                                                

Black and secret centers have me falling,

confessing. I know nothing but the crusts of


the starvation we call living.

All day the earth broke open.

Under a furrowed brow of clouds,

Crows rose, smoke, and thin crocuses.   – Justen Ahren

   A Strange Catechism

A Strange Catechism 3

Justen Ahren is a person of many talents and aspirations. He’s a family man, owner of a landscaping company on Martha’s Vineyard, Poet Laureate of West Tisbury, and Director of the Noepe Center for Literary Arts.  His works have appeared in Fulcrum, Borderlands Texas Poetry Review, BorderSenses, Comstock Review, and been nominated for two Pushcarts, as well as in his own collection of poetry – A Strange Catechism.

I was first introduced to his poetry when I began to research writers’ residencies in the spring of this year. Beautiful, stirring, dramatic, sensitive – his work thoroughly impressed and moved me in a way I found surprising.  It also struck a chord with similarities in my childhood, starting with the dedication page:

To those who have lost children, and to children who have lost childhood. – Justen Ahren, A Strange Catechism.

Somehow I trusted the knowledge that if he could share such raw emotions, so could I. And that is the beauty of being around other writers and communing with each other for a space of time devoted solely to the craft of creativity.  It is the gift he keeps bestowing on writers of all genres, and the headline of the Noepe website: Time, Space, Create.

Because I wanted all of you to become familiar with his work and the opportunities at Noepe, I hoped he would have time for an interview, and he generously made it happen.

Justen Ahren 3.3

Justen Ahren at Noepe Center

RJ: How old were you when you first started writing?

JA: I’ve been writing since I can remember.  At first, I wrote songs, entire albums, and recorded them on a tape recorder.  It was pure play and joy.  It was my first experience of making things out of sound.  It was a further investigation into how language, sound, equaled a thing, brought a thing to life.  Here was a currency.  Prior to this time, I was conscious of constructing an ongoing narrative in my head as a way of making sense of the life I was waking within.  I was constantly writing and rewriting this ‘story’, manipulating it, turning it into some thing, making it dramatic, artful or beautiful, or otherwise, an artifact.  I felt Life’s temporality, and even then, my own fragility. 

RJ: What inspired you to write poetry as opposed to another form of creative writing?

JA: I came to poetry via music, lyrics really. Ultimately, I was drawn to a quiet, private utterance.  I heard silences, deep chasms between words.  Lyrics just didn’t go here.  I am still very attuned to the music words make and how that music means.  I also love puzzles, and solving them.  I love turning things over.  Poems are like puzzles—physical, visual, auditory puzzles—I can tinker with until they click shut and open for me at the same time.

RJ: How long does it take you to write a poem and turn it into the type of artistic expression that is both eloquent and emotionally striking?

JA: Years, sometimes.  I have poems that still aren’t satisfying and I’ve been writing them for 15 years. Though I’m learning to let go.  I’m learning that sometimes my experience of the moment that spawned a poem is itself limited, and impairs the resulting poem forever.  Occasionally, I have the pleasure of writing a poem in one or two sittings.  Those are gifts. 

RJ: Do you ever worry about what other people think of your work?

JAYes, of course. The things we make come from us or through us.  Rejection can feel personal.  But when I’m making new work, I try not to let that concern censor what I write.  I don’t think we can simultaneously express and be critical.  I want my poems to be understood, to communicate.  I have hopes for my poems like I have hopes for my children.  But I can’t control people’s response.  And I certainly can’t anticipate how people may feel about a poem that hasn’t seen the light of day.  My worry is more ‘Have I made myself understood?  Have I been true to the music and needs of the work? Have I fulfilled the imperative that first set me to work?

RJ: Tell me a little bit about your process. How does an idea work through you from the initial spur to the finished product?

JAI wish I knew how my process works. It is still a mystery. Why does some thing, a moment, an idea, a line of music take hold of me to the point I’m willing to live with it, allow it into my life and have a relationship with it for a period of time?  The mystery and the playfulness of ‘creating’ are so enjoyable, that I always want to be in that place.  I remember how free and joyous I felt as a child, making for the sake of making. It was a pure expression of the moment.  No permission was necessary.  It is what I did.  If it was raining, I’d write about the rain.  I’d imitate songs I heard.  It was all play and exploration.  At some point it became serious. Taking writing too seriously is something I now fight against. And so, any time I can create, I want to reproduce that early experience of being creative—being at play.  This is as close to feeling whole, a feeling of Oneness, as I can get.

RJ: Your works have appeared in Fulcrum, Borderlands Texas Poetry Review, BorderSenses, Comstock Review, and been nominated for two Pushcarts, as well as being available through a published volume – A Strange Catechism – which deals with some emotionally raw subjects. When people express to you the effect your artistry has had in their lives, how does that make you feel?

JA: If something I write affects another, well, I’m speechless.  I think this touches an unquenchable longing: to communicate.  It is the fulfillment of the energy of a creation, the reciprocity of a gift.  It is the completion of the creative circle.  We give and receive and then must give again in order to keep the energy moving.  It is an exchange of energy.  This is what gives any work life.  If this exchange doesn’t take place, for example, as with the hundreds of poems I have in my drawers, there can be no life.  So, it is both humbling and gratifying to hear that something, some words I wrote were felt by another.  It is frightening, but I feel blessed that I’ve made some thing felt.  I don’t know how much control or credit I can take for this.  We seem to encounter what we are seeking.  I’m simply trying to interpret my experience, if others ‘get it’ and it resonates, amen.

RJ: What you are currently working on?

JA: Exile in its many forms; poetry as a machine for remembering, unearthing friends, lovers, the creek behind my house; violence, both intimate and public; and the music of long lines, short lines and couplets.  

RJ: Where and when did the idea to start a writer’s residency sprout?

JA: Around 2006.  I had just finished an MFA at Emerson College and a month-long residency in Costa Rica.  Both experiences were rich.  I was part of a writing community.  Back home on Martha’s Vineyard, I no longer had this community.  It was a selfish desire to start a residency.  I wanted to be around writers, talk about writing, share ideas, share food, and drink wine.  That was the totality of the idea at first.  

RJ: What are your hopes and dreams for the future of the Martha’s Vineyard Writer’s Residency and is it becoming enmeshed within Noepe Literary Arts Center?

JA: Noepe is the new umbrella organization.  I had an opportunity to take over the space where the residency is held—a ten room, old whaling captains house on Main Street in Edgartown.  In order to make it financially viable, the idea had to expand.  The resulting non-profit offers workshops, readings and talks, in addition to 2-6 week residencies.  My hope is that Noepe, and the residency, will continue to grow as a community where writers come for support, to work on their craft, and for the time and space they need to create. 

RJ: Martha’s Vineyard is a lively and bustling island with history, art, music, organic farming, fishing, water sports, beaches, and fantastic dining opportunities. Do you plan on developing a path at the Noepe Center that pairs available writers with these niches?

JA: A beach volleyball league for writersThe Novelists vs. the Memoirists. No, not in the plans.  But we are actively building partnerships with other island non-profits, The Farm Institute, for example.  Next year we plan to offer a residency to one writer interested in writing about local food production, sustainability and community supported agriculture.  We also are exploring partnering with a Choreographers residency. The residency and workshops always build in free time for participants to be able to explore what Martha’s Vineyard has to offer.

RJ: Who is your favorite poet – living or deceased – and why?

JA: I don’t have a favorite poet.  I return to many, and keep discovering others.  I want to feel the human in poems.  When I feel the heart beating, when the struggle to say is palpable, I’m there.  Recently, Joseph Stroud, David Baker, Eugenio Montale, Jane Kenyon (again and again), Mary Ruefle, Hayden Carruth.  

RJ: If you could spend an hour with anyone, from anywhere – also currently living or deceased – who would it be and why?

JA: Cleopatra. Is it necessary to explain? And Sappho. I’d love to know what is outside the extraordinary fragments we have of her work.

RJ: What do you read when you are not focusing on your own projects?

JA: Novels, newspapers, lists of ingredients.  I leave books all over the house so I can read when I am in that room.  Right now I’m reading about the Civil War, a psychology book on Spirituality, an anthology of European poetry, a memoir about an Arab-American growing up in Texas, and a collection of short stories. 

RJ: What is the best advice you’ve been given as a writer and what would you like to pass along to the readers?

JA: Years ago a friend told me, ‘a writer writes. If you want to be a writer, don’t talk about it, write.’  I used to think I could only write when inspired.  But I’ve come to realize that the act, the process of writing leads to discovery.  When we are writing we are demonstrating our preparedness to receive.  The act opens us to receive more.  To the contrary, not writing has a very strong inertia.  It is hard to get going once you’re stopped.  

RJ: Thank you, Justen, so very much. It has been a great pleasure to get to know a little more about you and your work and now my readers can share a bit of what I was so fortunate to receive over my time at Noepe on Martha’s Vineyard.

From the poem:

A Strange Catechism

in the book by the same title:

I feel inside a strange catechism

has begun, learning down the sound

of my love for God

into the dark of my body.

Justen Ahren, A Strange Catechism


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Bringing Noepe Center for Literary Arts at Martha’s Vineyard to You


“Our truest life is when we are in dreams awake.” – Henry David Thoreau

The best thing about having a blog is being able to share experiences — people and places — with others.  My recent stint at Noepe Center for Literary Arts at Martha’s Vineyard has given me the opportunity to introduce not only the island of Martha’s Vineyard, Massachusetts, but also some of the wonderful writers I was fortunate to share a space of time with while there.  And when you have met them, you will want to attend a session there as well.

IMG_0733 I made a lot of progress with the Young Adult novel I was working on and I also learned a lot about myself.

For instance, I discovered the perfect rhythm of a day for me — write from 6 am to noon while guzzling coffee, take a l-o-n-g walk to the beach, IMG_1420light lunch, shower and dress for the evening, IMG_0754  stroll with writing friends to the wharf, shops in Edgartown, or other sightseeing spots, dinner, IMG_0957long group discussions, journaling until bedtime.  Doesn’t that sound like the perfect day?

I also discovered I could read from a section of my work-in-progress without breaking into tears although it resonated with a particularly emotional time in my life.

My First Official Reading

My First Official Reading

And I met and became friends with some amazing poets and writers.  Talent oozed from the doors and windows, and I just hoped a little of it would rub off on me.

IMG_1388  But here’s the best part.  You can do it too.  And over the next few weeks I’ll be bringing some of the people I met to you through interviews and excerpts of their work.  IMG_0978 IMG_0983 IMG_1444

You’re going to be so impressed!

The first interview I have planned is with the director of Noepe, Justen Ahren.  You can follow the links and apply for your own writing corner on Martha’s Vineyard.  And when you have read these interviews, you will want to do just that.

Where do you want your writing to take you?

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Summer Spotlight: Renee Johnson


Jill Weatherholt is hosting an interview with me. Check out her blog. It’s fantastic. And thank you, Jill, for doing this interview. You are so kind.

Originally posted on Jill Weatherholt:

189_7374461562651070902_n (2)Hi Jill and all of your blog followers and readers. Thank you for allowing me to join your wonderful list of author interviews. It’s been fun and interesting getting to know the writers a little deeper.

For those who are already familiar with my work, you’ll recognize me as the author of and The first is for pleasure, photography, and whatever pops into my head. The second is based solely on my journey as a writer – what I’m doing, thoughts on working with an editor, etc.

My first novel – Acquisition – is being published by The Wild Rose Press and is scheduled for release on November 7, 2014 through and all of the other usual sites.

Now onto Jill’s questions.

If you could meet anyone, living or dead, who would you meet?

So many people came to mind, but in the end I decided on…

View original 455 more words

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Join us for a Reading!

IMG_0733 IMG_0771  IMG_0848  IMG_0927

I’m getting your kind messages and I know you are all curious about what happens when you meet up with a bunch of strangers and settle in for a long stretch of living together under one roof.

Well, I can only speak for myself.

Perhaps I have gotten lucky and ended up on this island — after a succession of plane, bus, ferry boat, and taxi — with the best community of writers.  We ‘mesh’ quite well.  And having this crazy craft in common with so many others makes me feel a bit like the rabbit in the proverbial briar patch.

I am right at home, no longer alone.

IMG_0748  IMG_0905

The island is much larger than I expected, having never been to Martha’s Vineyard before.  There are wharfs and beaches and gingerbread houses and old cemeteries and a fire truck museum.

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Local seafood is magnificent,IMG_0910 IMG_0911    IMG_0788  IMG_0787  IMG_0912

weddings have been plentiful, IMG_0742

and even though the Old Whaling Church is the bane of my existence at four in the morning, yes it ‘chimes the hour’ every hour all of the time, it does lend a certain charm.  IMG_0746

Last night some of the other writers even found a very ‘North Carolina’ event for me up here in Massachusetts!  Bluegrass and pit smoked pork in a barn!  I am still reeling from that one. IMG_0862 IMG_0863

I know what you’re thinking right now.

YouRenee, you are supposed to be writing!

MeDon’t bother me when I’m taking in ambiance for a future novel!

In all seriousness though, I have had a revelation about my main character.  I was a bit undecided as to whether he should have redemption or go deeper into darkness as my novel concludes.  In the second day of the residency, it ‘fell’ to me, just as I had been assured it would by someone much smarter and more talented than me.

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And that alone was worth the trip.  Now I can simply fill in the details.

So, what am I working on?  Find out.  Join us for a reading  at West Tisbury Library Tuesday night, October 7.

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A Journey Through Favorite Writer’s Eyes





Summer is over. My novel has an official release date — more on that later — and I have been granted an opportunity to work on another project through the Martha’s Vineyard Writers Residency.

This is such a fantastic journey for me, as much inward as outward. And to bridge the gap between ‘normal life’ and this dreamy space, I decided to begin with a few days in Concord, Massachusetts to commune with history and the spirits of so many literary greats who walked through its tree-lined lanes and breathed the fresh forest air down by Walden Pond.

The first pictures are of cemeteries and the tiny headstone of Henry David Thoreau at Sleepy Hollow Cemetery. You can get a sense of its size by the height of the pencils.

I’ve been assured by one of the museum curators this was no accident, keeping true to his ‘minimalist’ lifestyle and philosophy.

Emerson, Alcott, Hawthorne, Sidney — are his eternal neighbors. And this is just one stop along my path.IMG_0498



The Alcott house–better known in Concord as The Orchard House–was open and I couldn’t help but recall dreamy childhood days spent reading Little Women, Little Men, and Jo’s Boys.


I’ll post more as time allows, and also post other pictures on Writingfeemail‘s site.

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Interview with Author Lisa Rayns

One of the great benefits of writing for a publishing company is getting to know other authors underneath its canopy. And The Wild Rose Press has such a wonderfully diverse list of authors and novels, finding something of interest shouldn’t be a problem for most people.

I was fortunate to attend one of their retreats back in 2011. From it, I took away many things, none more important than the friendships and connections developed while there. (If you get a chance to attend one, I’d highly recommend it.)

But if you can’t, I’ll try to bring some of my writing ‘friends’ to you — starting with today’s featured author, Lisa Rayns.

Renee: Lisa, I discovered the spark of writing presented itself to you when you were only ten years old and penning a poem for your family at Christmas. How did it develop from there?

Lisa: From there, I wrote journals, stories for school projects, and spent years reading and indulging in my love of books.

Renee: What was it about writing that made you want to explore it further and eventually turn it into a career?

Lisa: Two words – Romantic Suspense. I started reading romantic suspense, and I fell in love with the genre. Then, once I started writing in 2007, I realized writing suspense was a lot of fun. It became my dream job rather quickly.

Renee: As the mom of four boys, how on earth do you find time to write?

Lisa: My boys are older and self-sufficient. They are also very understanding when I tell them I need time to write.

Renee: That’s good. Do you still maintain another full-time job, or have you managed to find a way to focus entirely on writing as your career?

Lisa: I had the opportunity to focus entirely on my writing for the last two years, but I’m recently divorced so I’m working full time again.

Renee: When I vacationed out west, I was extremely taken with South Dakota. I see you call it your home state now. What do you like best about living there?

Lisa: I like everything but the winters. The air is fresh, and the cost of living is not as high as it is in other areas.

: Curse of the Egyptian Goddess is a delightful read. I left a review on Amazon, but sometimes they don’t show up. We’ll see.
Where did your interest in Egyptian lore come from?

Curse of the Egyptian Goddess

Lisa: Thank you! Reviews are so important.

I’ve always had an interest in the ancient Egyptian culture since I first learned about it in school. I’m also a huge fan of large cats.

Renee: Another of your novels, Wanted: Vampire — Free Blood, was nominated for Best Vampire Book. What was it like to receive that news about your work?

Wanted Vampire

Lisa: That was amazing, the best I’ve ever felt.

Renee: When did you become interested in paranormal literature and what spurred you to write your own tales about the world beyond?

Lisa: I think it was the twelfth draft of my first romantic suspense book when the idea to turn it into a paranormal romance hit me. Everything that wasn’t working in the book then clicked into place, and I started to have a lot more fun writing.

Renee: Name the best and worst thing that has happened due to your publishing career.

Lisa: Having a fan and knowing at least one person is anxious for the next book is really the best thing that’s happened to me. I guess the worst thing would be a one star review, but I didn’t take that too badly. Everyone has different tastes, and no one will ever please everyone.

Renee: What are you currently working on?

Lisa: I’m currently working on the second book in my Egyptian Duet.

Renee: Well, I’m looking forward to that one! Yay! What is the one piece of advice you would give aspiring writers?

Lisa: Write for yourself. Write what you like because you can’t please everyone. Also, never give up on your dreams.

Renee: Thank you Lisa. That sounds like good advice. I know you are busy and I appreciate the time you have given us to get to know you a little better.

For those interested, links to purchase her books are listed below.

Curse of the Egyptian Goddess

A Destined Death

Wanted: Vampire – Free Blood

Wanted: Vampire – Bad Blood

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The Galley

The galley — or an advanced reader’s copy minus the cover — of my novel Acquisition is here.


This is an exciting time for any author, but especially for the debut novelist. We get to see how the pages will align, how the chapters will lay out.


You’ve seen the cover before, but I’m adding it again because I like it, and I can. *wink*

I know some of you have expressed concern over my thinning presence on the blog, and I do apologize for that. But every time I have had the chance to go over the manuscript during the many editing processes a novel goes through before it reaches this stage, I’ve taken it seriously and re-read the entire thing from first word to last.

It’s impressive to follow an editor’s way of seeing the words from your head in a different light than you may have intended. Future readers will also bring their own perceptions and life experience.

In order to make it as clean and as thoroughly thought-through as possible, I’m going over it again. Although I can’t make changes directly to the manuscript at this stage, I can make a list of suggestions if I find errors. So this isn’t a step to skip.

I hope you will all cheer me on as I go over the galley — first word to last — as I have done before. But that means I will be noticeably missing for another stretch of time. I’ll be checking in on your blog posts as often as possible.

So now that you know what my summer project is; what is yours?

Posted in editing, publishing, writing | Tagged , , , , | 29 Comments